A director in a single node — it frames the shot for you

An ordinary generator shoots everything the same way — a flat, head-on static frame. But cinema lives on directing: where the camera is, how it moves, what the pace is. Fail to spell that out yourself and you get a flat picture, even from a powerful model.

The Director node is your directing layer. It sits between the script and the video: it takes a scene and decides how to shoot it — angle, camera movement, pace, effect — and assembles the prompt for your video model. You don’t need to speak a cinematographer’s language: the Director handles the staging.

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Techniques: camera, pace, effects

Staging comes as a curated set of techniques — you can steer the Director with a single chip, without describing the shot in words:

The Director decides on its own

Pick no technique and the Director stages the scene by its own judgment. Techniques aren’t an obligation — they’re a way to steer it. And a technique is a baseline, not an order: the Director is free to skip one that breaks the scene — it then lands in the warnings rather than wrecking the frame silently.

Nothing selected — the Director stages the scene itself. Techniques set the baseline when you want to steer it.— the Director’s principle

How it works — step by step

1. You hand over a scene. The Scriptwriter assembles the scene — the Director takes it as input.
2. The Director frames the shot. Angle, camera movement, pace — by its own judgment, or by the techniques you pick.
3. Steer it to taste. Technique chips or the "your own notes to the director" field — emphasis in your own words. Don’t want to? Leave it be.
4. The prompt ships tuned to your model. The Director assembles the final prompt for the video model you chose — you don’t need to know its syntax.